Durham Works
Brand Identity + Broadcast Graphics
Project Snapshot
Project Context
Client
City of Durham | Communications Department
Client Ask
Create a brand identity and broadcast graphics package for Durham Works, an original City of Durham reality-comedy series.
Created as a YouTube-first series, each episode paired a Durham stand-up comedian with a City employee to learn their job by doing it.
Client Objective
Use the Durham Works to show residents how the City serves them, demonstrate how tax dollars are put to work, and support recruitment by highlighting careers across City departments.
Additional Problem I Identified
The client requested the identity and broadcast package but did not define what the identity needed to communicate or how the series should be positioned visually.
I established four strategic requirements for the identity:
Grab viewers’ attention in a crowded YouTube feed.
Immediately signal real City employees doing serious, hands-on work without limiting the series to stereotypically blue-collar jobs.
Reflect the series’ lighter, joyful energy without relying on comedy visual tropes.
Give Durham Works the visual consistency and polish of a professionally produced streaming series.
These requirements became the strategic foundation for the identity.
Insight
The Category Was Saturated With The Same Visual Language
Work-focused shows and brands commonly signal “real work” through weathered typography, distressed surfaces, and textures drawn from work environments like metal, dirt, wood, or rubber.
From Dirty Jobs, Mack Trucks, and Caterpillar to thousands of “real work” branded videos on YouTube, the same conventions dominate the category. Using them would make Durham Works recognizable as “real work” content but easy to overlook— another rugged series blending into the same feed.
Industrial Recognition Did Not Require Industrial Cliché
Industrial visual language provided the clearest and simplest shorthand for the idea of work— even for hybrid blue/white-collar roles such as building inspector or 911 call operator.
Recognition depended on a few familiar category signals, not the category’s entire rugged visual language.
The Identity Needed To Reflect The Joy, Not Signal Comedy
The host brought a sharp, irreverent, distinctly Durham resident’s perspective to each job. Her personality was funny, curious, and joyful, but the identity did not attempt to signal humor through familiar comedy tropes.
Instead, the identity drew from that joyful energy to create a lighter alternative to the manufactured toughness surrounding the category. A standard rugged identity would communicate the subject while contradicting that joy.
The Employees Were The Repeatable Brand Promise
The host gave viewers an entry point into each job, but the City employees, departments, and work changed from episode to episode. They were the lasting subject of Durham Works and needed to remain at the center of the identity.
Strategy
Category Recognition Without Cliché - Keep The Work Cues, Lose The Grime
Move: Use safety yellow, hazard patterns, sturdy industrial typography, and utility-inspired letterforms to signal serious work while deliberately avoiding dirt, distressing, and real-world worksite textures.
Unexpected Visual Collision - Combine The Familiar With The Foreign
Move: Pair familiar worksite cues with a visual language foreign to the category, creating surprise without sacrificing immediate recognition of real City work.
Draw from Swiss graphic design, the work of Paula Scher, and painted signage and environmental graphics found in industrial settings.
Use large type, dramatic scale shifts, typography and hazard-pattern rectangles arranged both horizontally and vertically, and heavily cropped words that move between communication and ornament. This unexpected collision kept Durham Works recognizable as work-focused content while making it immediately distinguishable in a crowded YouTube feed.
Durham-Recognizable Color - Replace Equipment Black With City Blue
Move: Keep safety yellow as the dominant worksite cue, but replace the category’s stereotypical black and occasional orange with the City’s official dark blue and white, plus lighter tints derived from the blue.
The safety yellow was not an exact match for the City’s official gold, but pairing it with City blue, blue tints, and white made the palette read as Durham.
Employee-Centered Identity - Build Around Who Makes Durham Work
Move: Center the identity on the employees, jobs, and departments featured in the series rather than making the host its permanent visual subject.
When the client questioned whether the host should anchor the logo, I argued that the employees and their work were the lasting brand promise. The client agreed. The host instead played the viewer’s role— curious, funny, new to the job, and learning by doing.
Human-Powered Rhythm - Make The Series Sound Like A Team At Work
Move: Select and customize a modular music kit built entirely from hand claps, finger snaps, boot stomps, and thigh slaps.
Rather than sounding like isolated hits, the layered percussion created a chorus-like effect that suggested a group of people generating the rhythm together with their hands and bodies. The all-human instrumentation made the identity feel physical, collective, and joyful.
I customized the kit for the title sequence, credits, transitions, section titles, and segments that needed extra momentum.
Streaming Series Polish - Design To The Standard Of A Top Streamer
Move: Develop the brand identity to an unusually high level of sophistication, precision, and polish— high enough for Durham Works to sit comfortably alongside programming on Netflix or HBO Max.
Results
All three episodes debuted in 2018.
As of August 2026, the Recycling Truck Driver episode has received more than 870K views.
Across the three episodes, Durham Works has generated more YouTube views than the rest of the City of Durham’s YouTube video library combined by a wide margin.
Over the last four years, 50% of the City’s new YouTube subscribers subscribed immediately after watching part or all of the Recycling Truck Driver episode.
My Role
Strategy + Art Direction + Brand Identity Design + Broadcast Design + Motion Design + Animation + Music Selection + Music Editing + Template Development + Client Leadership (Pitch + Reviews)
(I also created and produced Durham Works— developing the original series concept and episode format; interviewing featured employees and their direct supervisors; conducting job shadowing; scouting and photographing locations; writing the scripts and detailed two-camera shot lists; directing the talent, crew, and interns; and editing all three episodes.)
TL;DR
Client
City of Durham | Communications Department
Client Ask
Create a brand identity and broadcast graphics package for Durham Works, an original YouTube-first City of Durham reality-comedy series.
What I Did
I created a polished static-and-motion identity that paired familiar worksite cues with a visual language foreign to the category. The resulting surprise was designed to get Durham Works seen in a crowded YouTube feed while keeping it immediately recognizable as a series about real City work.
Inspired by Swiss graphic design, the work of Paula Scher, and painted industrial signage, the visual system combined safety yellow and hazard patterns with City blues—instead of the category’s stereotypical black and occasional orange—plus crisp, heavily cropped typography and energetic motion.
The identity also included a modular human-percussion music kit built from hand claps, finger snaps, boot stomps, and thigh slaps, creating a chorus-like sense of a team at work.
My Role
Strategy + Art Direction + Brand Identity Design + Broadcast Design + Motion Design + Animation + Music Selection + Music Editing + Template Development + Client Leadership (Pitch + Reviews)
(I also created and produced the series.)
Results
As of August 2026, the Recycling Truck Driver episode has received more than 870K views. Across the three episodes, Durham Works has generated more YouTube views than the rest of the City’s YouTube video library combined by a wide margin.
Over the last four years, 50% of the City’s new YouTube subscribers subscribed immediately after watching part or all of the Recycling Truck Driver episode.
Durham Works
Brand Identity + Motion Graphics
Case Study
Project Context
Client
City of Durham | Communications Department
Client Ask
Create a brand identity and broadcast graphics package for Durham Works, an original City of Durham reality-comedy series.
Created as a YouTube-first series, each episode paired a Durham stand-up comedian with a City employee to learn their job by doing it.
Client Objective
Use the Durham Works to show residents how the City serves them, demonstrate how tax dollars are put to work, and support recruitment by highlighting careers across City departments.
Additional Problem I Identified
The client requested the identity and broadcast package but did not define what the identity needed to communicate or how the series should be positioned visually.
I established four strategic requirements for the identity:
Grab viewers’ attention in a crowded YouTube feed.
Read More
logo

title sequence




title sequence | full video
full title sequence
employee intro graphic

standard lower third graphic

promo & episode overview frame graphic

caffeinated power up animation

transition + section title graphic

learn more graphic

recycling tips animation


promo poster
